“I’m hidden somewhere in a world of sounds and colors, of seen and unseen energy, in the past and future, same time, traveling through the unlimited light, towards HIM” .
“I’m hidden somewhere in a world of sounds and colors, of seen and unseen energy, in the past and future, same time, traveling through the unlimited light, towards HIM” .
“I’m hidden somewhere in a world of sounds and colors, of seen and unseen energy, in the past and future, same time, traveling through the unlimited light, towards HIM” .
VASILICA CHIFU.
About the artist and her paintings.
“The flow of images that Vasilica Chifu uses is under the sign of internal emergencies, a horizon where deep processes take place that always wants exteriorization.
These confessional needs put in a decisive mode the imprint on the chromatic regime and the iconographic system of the artist.
The color is deposited in rhythms dictated by the inner states, these determining the evolution of the hot pole or the cold pole of the spectrum.
The artist shows its readiness to spread the color in waves, not being interested in “spot painting” (practiced by adherents of tasism, in the first row by Georges Mathieu), which seems to him a simple juxtaposition of some surfaces of color, without an organic connection with the plane of reality observed or found in the subconscious plane.
This flow of colored matter on a challenging energy path the limits of the canvas may lead us to think of the poetics of destructuring (included in the painting program that develops all over – in English, spread all over the surface), but Vasilica Chifu prevents a flood of color, which would mean the installation of anarchic forces. As free as it may seem, color shows obey subtle formative principles, proving severe control of the canvas, and especially maintaining the liveliness of the masses of color, in direct connection with an orderly voltage.
The color that is usually cultivated is passed through a filter of special sensitivity, which “censors” any impurity from immediate expiration.” – Constantin PRUT, 2018.
PANAITE CHIFU.
About the artist and his sculptures.
“The flow of images that Vasilica Chifu uses is under the sign of internal emergencies, a horizon where deep processes take place that always wants exteriorization.
These confessional needs put in a decisive mode the imprint on the chromatic regime and the iconographic system of the artist.
The color is deposited in rhythms dictated by the inner states, these determining the evolution of the hot pole or the cold pole of the spectrum.
The artist shows its readiness to spread the color in waves, not being interested in “spot painting” (practiced by adherents of tasism, in the first row by Georges Mathieu), which seems to him a simple juxtaposition of some surfaces of color, without an organic connection with the plane of reality observed or found in the subconscious plane.
This flow of colored matter on a challenging energy path the limits of the canvas may lead us to think of the poetics of destructuring (included in the painting program that develops all over – in English, spread all over the surface), but Vasilica Chifu prevents a flood of color, which would mean the installation of anarchic forces.
As free as it may seem, color shows obey subtle formative principles, proving severe control of the canvas, and especially maintaining the liveliness of the masses of color, in direct connection with an orderly voltage.
The color that is usually cultivated is passed through a filter of special sensitivity, which “censors” any impurity from immediate expiration.” – Constantin PRUT, 2018.
VASILICA CHIFU.
About the artist and her paintings.
“The flow of images that Vasilica Chifu uses is under the sign of internal emergencies, a horizon where deep processes take place that always wants exteriorization.
These confessional needs put in a decisive mode the imprint on the chromatic regime and the iconographic system of the artist.
The color is deposited in rhythms dictated by the inner states, these determining the evolution of the hot pole or the cold pole of the spectrum. The artist shows its readiness to spread the color in waves, not being interested in “spot painting” (practiced by adherents of tasism, in the first row by Georges Mathieu), which seems to him a simple juxtaposition of some surfaces of color, without an organic connection with the plane of reality observed or found in the subconscious plane.
This flow of colored matter on a challenging energy path the limits of the canvas may lead us to think of the poetics of destructuring (included in the painting program that develops all over – in English, spread all over the surface), but Vasilica Chifu prevents a flood of color, which would mean the installation of anarchic forces.
As free as it may seem, color shows obey subtle formative principles, proving severe control of the canvas, and especially maintaining the liveliness of the masses of color, in direct connection with an orderly voltage.
The color that is usually cultivated is passed through a filter of special sensitivity, which “censors” any impurity from immediate expiration.” – Constantin PRUT, 2018.
EXO.
Collective art Exhibition, 2019.
After a coexistence of 40 years, in our art, a common artistic-philosophical system of thought was built, differentiated by its natures and forms of material manifestation. Painting and sculpture, two-dimensional and three-dimensional, which requires different compositional research, even if sometimes the beginnings are given by ideas debated jointly through dialogues, controversies triggered by the inclination on the different topics that were announced as possible themes of our artistic constructions.
Painting is under the domination of the energies that are in the invisible, subtle area, of various materially constructed forms, as part of the composition of the world in which we coexist, or of the worlds outside the Earth, under the sign of rendering, again materialized, made visible on canvases regularly of monumental waist.
The sculpture is dominated by the focus on macrocosmic or microcosmic compositions, entities, their constructional details known or not, when referring to worlds about which nothing is known, all springing from informational dream fields that, believing, can be considered as real triggering forms of experiences not specific to everyday life.
In both cases, the desired effect is of imaginary journeys that are incitements with positive effects on spirits and the development of creative imagination, finally useful in specific areas of the spectators, as forms of advancing civilization.
The exhibition was hosted at Simeza Gallery, Bucharest from the 17th till 29th of September.
September 19th, 2019 – Exhibition “EXO” Opening
EXO.
Collective art Exhibition, 2019.
After a coexistence of 40 years, in our art, a common artistic-philosophical system of thought was built, differentiated by its natures and forms of material manifestation. Painting and sculpture, two-dimensional and three-dimensional, which requires different compositional research, even if sometimes the beginnings are given by ideas debated jointly through dialogues, controversies triggered by the inclination on the different topics that were announced as possible themes of our artistic constructions.
Painting is under the domination of the energies that are in the invisible, subtle area, of various materially constructed forms, as part of the composition of the world in which we coexist, or of the worlds outside the Earth, under the sign of rendering, again materialized, made visible on canvases regularly of monumental waist.
The sculpture is dominated by the focus on macrocosmic or microcosmic compositions, entities, their constructional details known or not, when referring to worlds about which nothing is known, all springing from informational dream fields that, believing, can be considered as real triggering forms of experiences not specific to everyday life.
In both cases, the desired effect is of imaginary journeys that are incitements with positive effects on spirits and the development of creative imagination, finally useful in specific areas of the spectators, as forms of advancing civilization.
The exhibition was hosted at Simeza Gallery, Bucharest from the 17th till 29th of September.
September 19th, 2019 – Exhibition “EXO” Opening
EXO.
Collective art Exhibition, 2019.
After a coexistence of 40 years, in our art, a common artistic-philosophical system of thought was built, differentiated by its natures and forms of material manifestation. Painting and sculpture, two-dimensional and three-dimensional, which requires different compositional research, even if sometimes the beginnings are given by ideas debated jointly through dialogues, controversies triggered by the inclination on the different topics that were announced as possible themes of our artistic constructions.
Painting is under the domination of the energies that are in the invisible, subtle area, of various materially constructed forms, as part of the composition of the world in which we coexist, or of the worlds outside the Earth, under the sign of rendering, again materialized, made visible on canvases regularly of monumental waist.
The sculpture is dominated by the focus on macrocosmic or microcosmic compositions, entities, their constructional details known or not, when referring to worlds about which nothing is known, all springing from informational dream fields that, believing, can be considered as real triggering forms of experiences not specific to everyday life.
In both cases, the desired effect is of imaginary journeys that are incitements with positive effects on spirits and the development of creative imagination, finally useful in specific areas of the spectators, as forms of advancing civilization.
The exhibition was hosted at Simeza Gallery, Bucharest from the 17th till 29th of September.
September 19th, 2019 – Exhibition “EXO” Opening
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